TABLE OF CONTENTS
Descriptive Summary
Historical Note
Scope and Content
Restrictions
Administrative Information
Container List
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| Repository |
University of Central Florida, Special Collections & University Archives, University of Central Florida Libraries, P. O. Box 162666 Orlando, Fl 32816, Telephone: 407-823-2576, e-mail: speccoll@mail.ucf.edu |
| Creator |
University of Central Florida Students |
| Title |
The Zines Collection, 1996-ongoing |
| Dates |
1996-ongoing |
| Extent |
1 linear foot |
| Abstract |
Zines are non-commercial, small circulation "Do It Yourself" (DIY) magazines. The zines in this collection were created by UCF students, a majority from Professor Kristin Congdon's Theory and Criticism in the Visual Arts and Aesthetics classes. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials. |
| Transfer Number |
2003.09 |
| Location |
Special Collections, University of Central Florida Libraries. |
| Language: |
English |
Zines are non-commercial, small circulation "Do It Yourself" (DIY) magazines. The term “Zines” comes from “fanzines” or fan magazines. Precursors to the modern zine include Thomas Paine’s Common Sense and other leaflets published and distributed to the masses in the eighteenth and nineteenth centuries. The modern zine evolved from the science fiction fanzines of the 1930s. In the early 1980s the emergence of the personal computer and photocopiers led to a “zine revolution”, and today’s underground publishing movement was born. Today’s zines cover a myriad of topics and reflect their creator’s interests; they can be about anything from women’s rights or politics to libraries. Zines can be produced by anyone with access to a photocopier from homeless teenagers to librarians.
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The zines in this collection were created by UCF students, a majority from Professor Kristin Congdon's Theory and Criticism in the Visual Arts and Aesthetics classes. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials. This is a growing collection and unsolicited contributions to the collections will be considered for acquisition. The Zines Collection compliments the Libraries’s Book Arts, Typography and Van Sickle Leftist Pamphlet collections.
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Access
The entire collection is open for research.
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[Identification of item], Zines Collection, Special Collections, University of Central Florida Libraries, Orlando, Florida.
The initial donation of materials arrived in 2003. Zines are collected in an ongoing cycle.
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| Student Zines,
1996-ongoing. 1 Box |
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Alavarez, Larissa. Optical Illusions. 2001 |
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Alexander, Amy. Enough with the “male gaze”! 2002 |
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Beasi, Tifanny. Censorship. undated |
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Berning, Bud. A Postmodern Activity Fun Book. undated |
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Bonet, MM. Saitou Watase Kaori Higuri Apapa: female Japanese mangaka. 1998 |
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Brussow, Robert. I Wanna be Unusual, I Wanna be Punk Rock! 2004 |
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Collier, Jennifer. Art in the Age of AIDS. undated |
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Curry, JoAnna. Ban Hokum. undated |
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D., Phil. In The Age of Enlightenment: “Where are We Headed?” undated |
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Dwiggins, Jessica. Sex in Art. undated |
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Flavhan, Maureen. A Zine On: ART! And the Stage of Development in Children. undated |
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Fontaine, Chantale. Divergent Dromedary: eastern and western musings on conceptual art. 2004 |
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Geary, Kristyn. ALIENS. undated |
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Gentile, Kimdy. “I Had Breast Cancer” undated |
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Griss, Rachel. My Name is Rachel Griss and my Mother is a Lesbian. undated |
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Guttridge, Laura. Faces of Depair. 2001 |
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Hazle, Laurel. Through the Looking Glass: The Personal Nature of Art. undated |
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Hernandez, Ana. Cartoon Girls: A Critique. undated |
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Iseminger, Jonathan. Flesh & Chips. 2001 |
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Jean-Pierre, James. Perception for Dummies. 2001 |
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Jiala, Melanie. The Corrupt Ways of This Land. 1997 |
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Keen, Chris. Blood and Breasts: Violent Images or Scenes of Love and Sex. undated |
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Kelly, Cristin. Can Offensive Art = Aesthetic Experience? undated |
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Kokaisel, Gary. La Sophie. undated |
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Krauss, Alex. What exactly is Art? 2004 |
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Kulchak, Rebecca. It’s All About You. undated |
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Lancaster, Keffie. Women Artists in the 20th Century: A personal account of my artistic influences and opinions about women in Modern Art. 2002 |
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Litteral, Lisa. Happiness is… undated |
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Neggie, Chuck. Stop Pornographic Art!!! 1998 |
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Pegg, Dolores. Reactions & Reflections. undated |
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Red, Michael. ‘This is Mayhem'. undated |
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Regan, Lauren. “Male Gaze” Fest. December 2, 2001. |
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Robert, Rhonda. Are You an Art Student? undated |
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Robles, Katiana. WHATZART? undated |
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Sartor, Sara. The Little Joker. undated |
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Shannon, Kathleen. Money Creates Taste. 2002 |
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Smith, Charles L. “But What Does It Mean?” undated |
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Surlak-Ramsey, Galen. The Art of War. April 19, 2001 |
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Swiderski, Anthony. A Semester of Study and still no answer: What the FUCK is Art? undated |
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Thompson, Katy. Why Advertising Matters. Honestly. 2002 |
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Wells, Kevin. Illegal Images? A guide to controversial, legal debates involving art. undated |
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West, Mick. Sanity is the Playground for the Unimaginative. 1996 |
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Winter, Patty. Venus Envy. undated |
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Author Unknown. Hey Girl Friend. undated |
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Author Unknown. Identity: A Postmodern Concept; 3 artists that ask the question – who are we? undated |
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Author Unknown. Postmodernism Breaking the Mold. undated |
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Author Unknown. Silence = Death. undated |
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Author Unknown. Untitled. undated |
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