TABLE OF CONTENTS


Descriptive Summary

Historical Note

Scope and Content

Restrictions

Administrative Information

Container List

Finding Aid to the Zines Collection, 1996-ongoing



Descriptive Summary

Repository University of Central Florida, Special Collections & University Archives, University of Central Florida Libraries, P. O. Box 162666 Orlando, Fl 32816, Telephone: 407-823-2576, e-mail: speccoll@mail.ucf.edu
Creator University of Central Florida Students
Title The Zines Collection, 1996-ongoing
Dates 1996-ongoing
Extent 1 linear foot
Abstract Zines are non-commercial, small circulation "Do It Yourself" (DIY) magazines. The zines in this collection were created by UCF students, a majority from Professor Kristin Congdon's Theory and Criticism in the Visual Arts and Aesthetics classes. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials.
Transfer Number 2003.09
Location Special Collections, University of Central Florida Libraries.
Language: English

Historical Note

Zines are non-commercial, small circulation "Do It Yourself" (DIY) magazines. The term “Zines” comes from “fanzines” or fan magazines. Precursors to the modern zine include Thomas Paine’s Common Sense and other leaflets published and distributed to the masses in the eighteenth and nineteenth centuries. The modern zine evolved from the science fiction fanzines of the 1930s. In the early 1980s the emergence of the personal computer and photocopiers led to a “zine revolution”, and today’s underground publishing movement was born. Today’s zines cover a myriad of topics and reflect their creator’s interests; they can be about anything from women’s rights or politics to libraries. Zines can be produced by anyone with access to a photocopier from homeless teenagers to librarians.

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Scope and Content

The zines in this collection were created by UCF students, a majority from Professor Kristin Congdon's Theory and Criticism in the Visual Arts and Aesthetics classes. They cover a range of topics and were produced primarily with inkjet printers, although a few were made using black and white photocopiers or found materials. This is a growing collection and unsolicited contributions to the collections will be considered for acquisition. The Zines Collection compliments the Libraries’s Book Arts, Typography and Van Sickle Leftist Pamphlet collections.

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Restrictions

Access

The entire collection is open for research.

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Administrative Information

Preferred Citation

[Identification of item], Zines Collection, Special Collections, University of Central Florida Libraries, Orlando, Florida.

Acquisition Information

The initial donation of materials arrived in 2003. Zines are collected in an ongoing cycle.

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Container List

Student Zines, 1996-ongoing. 1 Box
Alavarez, Larissa. Optical Illusions. 2001
Alexander, Amy. Enough with the “male gaze”! 2002
Beasi, Tifanny. Censorship. undated
Berning, Bud. A Postmodern Activity Fun Book. undated
Bonet, MM. Saitou Watase Kaori Higuri Apapa: female Japanese mangaka. 1998
Brussow, Robert. I Wanna be Unusual, I Wanna be Punk Rock! 2004
Collier, Jennifer. Art in the Age of AIDS. undated
Curry, JoAnna. Ban Hokum. undated
D., Phil. In The Age of Enlightenment: “Where are We Headed?” undated
Dwiggins, Jessica. Sex in Art. undated
Flavhan, Maureen. A Zine On: ART! And the Stage of Development in Children. undated
Fontaine, Chantale. Divergent Dromedary: eastern and western musings on conceptual art. 2004
Geary, Kristyn. ALIENS. undated
Gentile, Kimdy. “I Had Breast Cancer” undated
Griss, Rachel. My Name is Rachel Griss and my Mother is a Lesbian. undated
Guttridge, Laura. Faces of Depair. 2001
Hazle, Laurel. Through the Looking Glass: The Personal Nature of Art. undated
Hernandez, Ana. Cartoon Girls: A Critique. undated
Iseminger, Jonathan. Flesh & Chips. 2001
Jean-Pierre, James. Perception for Dummies. 2001
Jiala, Melanie. The Corrupt Ways of This Land. 1997
Keen, Chris. Blood and Breasts: Violent Images or Scenes of Love and Sex. undated
Kelly, Cristin. Can Offensive Art = Aesthetic Experience? undated
Kokaisel, Gary. La Sophie. undated
Krauss, Alex. What exactly is Art? 2004
Kulchak, Rebecca. It’s All About You. undated
Lancaster, Keffie. Women Artists in the 20th Century: A personal account of my artistic influences and opinions about women in Modern Art. 2002
Litteral, Lisa. Happiness is… undated
Neggie, Chuck. Stop Pornographic Art!!! 1998
Pegg, Dolores. Reactions & Reflections. undated
Red, Michael. ‘This is Mayhem'. undated
Regan, Lauren. “Male Gaze” Fest. December 2, 2001.
Robert, Rhonda. Are You an Art Student? undated
Robles, Katiana. WHATZART? undated
Sartor, Sara. The Little Joker. undated
Shannon, Kathleen. Money Creates Taste. 2002
Smith, Charles L. “But What Does It Mean?” undated
Surlak-Ramsey, Galen. The Art of War. April 19, 2001
Swiderski, Anthony. A Semester of Study and still no answer: What the FUCK is Art? undated
Thompson, Katy. Why Advertising Matters. Honestly. 2002
Wells, Kevin. Illegal Images? A guide to controversial, legal debates involving art. undated
West, Mick. Sanity is the Playground for the Unimaginative. 1996
Winter, Patty. Venus Envy. undated
Author Unknown. Hey Girl Friend. undated
Author Unknown. Identity: A Postmodern Concept; 3 artists that ask the question – who are we? undated
Author Unknown. Postmodernism Breaking the Mold. undated
Author Unknown. Silence = Death. undated
Author Unknown. Untitled. undated